Wednesday, February 23, 2005

Charlotte Observer | 02/18/2005 | Noisy food has no place in a movie theater

Charlotte Observer | 02/18/2005 | Noisy food has no place in a movie theater: "Despite my affection for new and weird stuff, I detest anything but popcorn at the movies, and feel reasonably fair in wishing all else were banned from theaters. Except gummy candy in the serve-it-yourself bags. That'd be OK. But all the stuff that must be unwrapped, or that drops as you tilt your box (M&Ms, Raisinets, chocolate-covered treats of other varieties, etc.) should be outlawed, I've always thought."

Something to keep in mind...

Tuesday, February 22, 2005

Mentoring in the Hizzle

On the way home from Paris, I was reading the kind of article that I tend to find irritating. A lot of articles about metrics and examples of success or how to get it in the corporate world tend to irritate me because they bastardize ideas by highlighting only the most opportunistic facets of what are already watered down justifications for corporate behavior.

But that rant aside, this article was suggesting that the next big thing for creating a successful institution out of a company is a mentoring culture. It was particularly irritating because it's an idea that I've brushed with myself while considering what would make a better educational process, and what I see in corporate culture is nothing like this.

Forgetting most of what the article said, I revisted my thinking on mentoring and tried to refigure what it was that was so much more useful about a mentoring relationship, in my mind. Now that I think about it, it wasn't a very well developed idea at first. I think the main thing I was thinking about was that over time I've found that learning specific skills was never really what I needed to have done throughout my life. I sort of had been rutted into thinking like that from the regimented way that education was presented to me (in subjects and levels of skill). Ironically, this was a very successful method for me, but it was in the success that I think caused what I consider the most glaring omission from my own growth process. The validation of my own ideas and top put it tritely, learning how to think for myself. Not that I think that mentors are the end-all solution to helping you find your own path to self-identification and the subsequent self-motivated path to living a fulfilled life. Not that I even think that validating my own ideas before I was proven or skilled enough to deal with them would be the own answer here (as now it seems clear that the benefit of something really only becomes available after the lack of it).

Still, I try to figure out what would be the best mentoring relationship and I characterize it as the type of relationship where one can have their own specific questions identified and clarified without having to have some best practice applied to solving their problems (which I suppose is contrary to the whole idea of an institution alltogether). The mentor would give an example to follow from his own life while making use of the growing skills of the mentee.

And as if this idea wasn't problematic enough already, how does one then address the problem of getting the mentee to think for himself. Let's say the mentor takes the apprentice on and shows him the nature of his specific interest by enlisting his help in completing a project of his. How does the mentee see anything besides what the mentor shows him. It's a necessary example to have but the most common consequence will not be the mentee seeing how his interests can fit in with the greater picture, but how his skills can fit in with the picture that his mentor has painted. It comes with the territory of the novice not to be excited by the prospect of learning whether his skills fit his position, but with the prospect of seeing how he can help.

Which I figure brings us back to the drawing board.

Furthermore, once a mentor finally figures out what it is that he thinks he needs to do to impart the appropriate level of experience and guidance onto his mentee, he will no longer be the effective enthusiastic teacher that could relate to the students' interest in making the relationship work. It will hold less and less mystery for the person if he is not a natural teacher. The overall ambition of having a ubiquitous program where the valuable information that anyone has (not just that of qualified instructors) can be available will be further away.

Which leads me to think that maybe mentoring is not the way and basically what everyone should do is chronicle their passion and the only institutions should be libraries. Or rather the only instructors should be librarians who have powerful access to google and the explanation abilities of the best kindergarten teachers.

The idea that mentors would eventually lose interest (or evolve their interests beyond what is immediately useful to the mentee) is similar to another idea I had about how long a business should last. At some point, the obstacles to accomplish evolve and they're no longer about pleasing the customer. Every business wants to continue to acheive, but often they get to the point of profitability or supporting a successful product and goals evolve into something else.

And what makes it worse is when those businesses are handed down into hands that were not the founders' Standing on the shoulders of giants has always seemed like a dangerous prospect to me (ever since Jeff Goldblum said it in Jurassic Park) and it happens every day, watering down our industry and hurting the development of people by giving them something in a skewed state.

Theres a strong cry coming from inside me that says all businesses should go away when they leave the hands of their founders. Not just for the prideful reasons that used to be responsible for this idea, but because I genuinely think that it would make for a more thoughtful and fulfilled society. It would probably serve justice and fight crime as well.

Unfortunately, this post has become an essay, and a poorly organized one at that. The main thing I wanted to say was the mentoring in corporate culture is a probably a sham and that we should tear down most institutions so that people can all experience the purpose of building them up.

Tuesday, February 15, 2005

Popcorn Makes History at the Movies

Popcorn Makes History at the Movies

Cute - history of popcorn and the movies

Access Integrated Technologies Completes Acquisition of Pavilion Movie Theater/Entertainment Complex in Brooklyn, New York

Access Integrated Technologies Completes Acquisition of Pavilion Movie Theater/Entertainment Complex in Brooklyn, New York:

"Starting with the installation of a satellite dish on the roof, AccessIT
plans to transition the theatre to digital operation with the installation of
a broad range of digital cinema hardware and software. The complex will
showcase all of AccessIT's integrative digital and analog solutions as well as
those of other industry vendors."

This is really cool. A showcase for all these technologies is a fun idea. Probably more for show and to try stuff out than anything else. I saw the vista electronic ticketing system they plan to use at SHOWEST last year and I wasn't that impressed. I imagine they're just putting up anything that says or seems digital. I hope it works out that and I'd love to see it!

By the way: "(AccessIT) is an early mover inoffering a fully managed storage and delivery service for owners anddistributors of digital content to movie theaters and other venues. "

http://www.accessitx.com

Alameda frets over cozy cinema

Alameda frets over cozy cinema: "Haskett pointed out the error to city officials, who switched tactics. Now it was fire code violations. Haskett figured city officials were determined to shut him down, using whatever violation they could think of. And none of the city's haranguing made sense to him until a city staffer let one little fact slip out.
Alameda city officials have entered into an exclusive negotiating agreement with another cinema operator to renovate a historic movie house and expand it into a multiscreen movie house near Park Street, in one of the city's redevelopment areas. Assistant City Manager Paul Benoit said Thursday that the redevelopment plan was not at all linked to issues between the city and Haskett. "

How are city officials so dirty sometimes :) Well they claim they're not, but here are some potential things that await me in trying to open a business much like this one. I love this guy's style! He used craigslist to buy his couches!!!!

Immersive Screens...

...or rather the conditions necessary to create an immersive visual experience is something I should research if I get the chance. I'm sure this has been studied before, and probably has some useful things to know about what is actually required to get a movie theater experience, what is too much, and what falls short.

This is something that would be especially useful in comparing the costs of small theater/less expensive projectors/more variety of screening as an option for a microtheater type of operation. I'd like to find out how far away one can sit, how many seats are optimal and what sorts (and costs) of projectors throw images big enough. Something I should ask for is a price list of traditional equipment from a vendor.

I'm guessing smaller theaters based on less powerful digital projectors are a very viable reality, considering how much more powerful sound can be in creating a theater experience.

Some Transparancy

I was recently thinking about some costs/price breakdown types of concepts (maybe spurred on by reading about the popcorn markup figures). Something that might really be cool and help a business (as well as the whole state of the world) would be having some transparency in the costs associated with something you purchase.

Let's say, for example, I'm buying a movie ticket. All I see is a price tag of 10.00. In my mind, that's totally unreasonable given what I used to be able to pay and that I'm also bringing along 4 friends meaning for all of us to watch the movie costs 50.00 (when we could rent something for 2.) . That's the perspective that I'm afforded.

But what if Instead of just 10.00, I saw a breakdown like the following...
-$5.00 copyright/film rental
-$2.00 marketing
-$1.00 theater maintenance
-$0.05 materials
-$0.50 supplemental movie materials (reviews, pamphlets)
-$0.45 theater profits

Not only would I not bitch about having to pay 10.00, but I'd probably want to pay more so the theater could stay alive. And I'd be a little bit smarter about how the world worked with not much additional effort.

And what if we could take it one step further. And if you could only pay for the parts that you wanted. Let's say I didn't feel like going to the bathroom, or that I didn't need to read a movie review. Then maybe my ticket price would go down to 9.00. If this was honestly reported (or it could probably even be checked by using smart tickets), then there could be savings in overhead/maintenance/materials by reviewing the data and predicting intelligently. And it would serve as a built in survey about what people wanted and how.

Furthermore, it would educate people, not only about where there money went, but possibly about how they should use the theater. That it costs money to pay for a free plastic cup of coke, and for the theater to be cleaned and for the extra napkins that they used, and that cleaning up their own mess would save everyone money. (IKEA uses this explanation strategy a lot in explaining their strategies for keeping costs down. i.e. when they ask you to bus your own trays in their cafeteria)

The reason this has probably never been done before is that it was simply too hard to explain all the costs. And back in the old days of a store front there were probably fewer costs. But this is an age of fantastic technological ability. And our consumption patterns should be able to reflect the complexity of the production patterns that provide our goods and services.

This is something that would make the world start making more sense and money seem more valuable. People have complex decisions to make with so much choice and so many things going on to get them their products. And as a society we have the capability to communicate more to decisionmaking consumers. so we should.

It's a lot like a ballot. If ballot's reported facts totally transparently then it would be impossible for political candidates to hide behind the manipulation of their campaigns (or for companies to hide behind potentially unethical business practices - like marking up popcorn 90%). [Of course this also brings up the issue that "transparent" sales is just another system to game]. But like polls there would be a built in system of collecting more meaningful data that would say more important things about what people are like and how to best serve them.

And as a final thought, returning to the point that I would probably pay more to theaters I wanted to stay in business, there would be room in this system for increased (or decreased) commission based on service quality. Theater owners could encourage or discourage variable amounts of payment based on how much they liked a movie or didn't like it to give them feedback on how to serve and what to screen.

Just a (world changing) thought....

Sunday, February 06, 2005

Wired News: Feature Films Without Wires

Wired News: Feature Films Without Wires:

"microcinema network" - http://microcinema.com/

"But wireless delivery might be an even bigger boon for independent venues, and not just theaters. Got a cafe and want to screen the new arty experiment from Belgium? Or are you hoping to use a documentary to rally Wal-Mart opponents in your local library? Or to show some gritty shorts in your hipster club?

Once a wireless infrastructure is in place, you'll just need a computer, a projector, some chairs and a white wall. Sign on, select from what could become a nearly infinite menu of titles, pay your fee and you'll be in the movie business. "

A neat thought...

"The savings to studios and distributors would be substantial, too -- creating, shipping and destroying 35-mm prints cost an estimated $1.5 billion a year."

...And a good point

Entertainment News Article | Reuters.com

Entertainment News Article | Reuters.com

Case in Point (referring to below)

The Incredible Shrinking Window

Will Shorter Windows Wash?
go to original article


This, like piracy, is something that I'll probably never agree with NATO's stance on. And for the same reasons.

I'd have to see some extremely illustrative numbers to convince me otherwise, but I really think the sales of DVDs and movie tickets don't have to cannibalize one another. Generally there are just different audiences and the experiences are sufficiently different that you wouldn't suffer much of a loss.

I even think you could go as far as to sell the dvd of the movie you _just watched_ as you're walking out of the theater. I'd certainly be more likely to buy a dvd right after I knew I liked a movie. Maybe you'd lose me as a repeat movie watcher, but I'm not convinced that there's a large enough percentage of come-backers to warrant worrying. And it's a problem more easily solved by simply rotating films out a little faster. Which isn't too terrible when you can always come to the theater to buy the dvd anyway. Maybe the studios should give exhibitors exclusive dvd rights during the theatrical run of the film. That would end up jumpstarting more business for the theaters bringing lots of people through there. AND it would allow distributors to really shrink their release window.

Home boxoffices starting to click

Home boxoffices starting to click: "The first nickelodeon designed for screening motion pictures was rolled out 100 years ago, and the process by which most folks buy movie tickets hasn't evolved much since."

This is, at the same time, disturbingly true, yet indicative of how effective the natural solution tends to be.

But the problem is more complicated now (with new factors to consider such as planning which films to show at multiplexes, what order to sell tickets in given the different start times of shows, popularity of shows and the distance people come to go to the movies) and necessitates a more complicated solution.

I've never been to a print-your-ticket-at-home theater, but I have been to concerts and basketball games with tickets I've printed on my own. The experience of not having to wait in line is priceless, but it removes an element of flexibility and choice that's not an issue with bigger ticketmaster like events, but that I'd be hesitant to give up when going to the movies.

"Mitch Rubenstein, co-CEO of MovieTickets.com, Fandango's chief rival, said that some exhibitors would rather skip print-at-home technology and jump right to the next phase: smart cards, or something akin to a Mobil Speedpass, which lets customers point a gadget at a gas pump and fuel up, with the purchase going straight to a previously determined credit card. Rubenstein said such a method for purchasing movie tickets is about 18 months away."

It's certainly an exciting prospect, but I'm not sure I see it. Something like this faces problems of standardization among theaters, but more importantly whether people will feel comfortable buying into a technological solution such as this. It might be a good disruptive technology, but I think the uses are just too limited for it to ever really work. Otherwise we'd have devices like this to have replaced our wallets years ago.

It appears the MovieTickets is the underdog in this online ticketing fight. As such, I wouldn't be surprised if it was the one that took the boldest steps (and possibly ill advised ones) in order to gain ground and potentially distance it's niche from fandango.

I didn't really see the stage set for booming as the site the linked me here would have indicated. Really just incremental steps from an obvious market.

The New York Times > Movies > Oscars 2005 > Sure, You Can Watch the Oscars, but Can You See All the Nominated Movies?

The New York Times > Movies > Oscars 2005 > Sure, You Can Watch the Oscars, but Can You See All the Nominated Movies?:

Coming from South Texas, this is certain something that hits close to home. The availability of movies to smaller markets is a widespread, and understandable problem. But it does all the people and the films an injustice.

But look at the vast technological capability our society has amassed over the last few years. Should it really be the case for much longer that areas that HAVE movie theaters should be deprived of seeing movies that can distributed ubiquitously via digital transport and projection?

if you count all the individuals dispersed into the country, the market for each film is bigger, probably MUCH bigger, than the numbers currently show. And given more effective distribution channels, it won't only be possible to get movies places after oscar buzz has taken effect.

"The first cities to get most independent films are New York and Los Angeles, said Russ Collins, executive director of the Michigan Theater, which was built in 1928 and shows independent films in its vast auditorium and in an intimate screening room. Next comes a ring of big cities like Chicago, Dallas and Seattle, he said - an assertion confirmed by the distributors. The third tier includes smaller cities and college towns with sizable moviegoing populations, like Ann Arbor. The fourth tier, he said, receives movies long after they open or perhaps not at all, forcing avid filmgoers to buy or rent DVD's and videos."

I wonder where I can get a list of these sizeable moviegoing populations :)

My View - The Big Picture

My View - The Big Picture:
"The year began strong with a major breakthrough for digital cinema when Christie Digital Systems announced in January that it had installed a CP2000 2K projector in Hollywood's world famous Grauman's Chinese Theatre.
It was the first 2K digital cinema projector to be installed at a commercial theatre in North America."

"In February the momentum continued when digital cinema pioneer Regal launched its innovative promotional campaign to take full advantage of the new technology.

That, of course, was Regal’s digital pre-show called The 2wenty, a 20-minute pre-feature program comprised of original, short-form entertainment segments developed by NBC, Turner Broadcasting Systems, Vivendi Universal Entertainment and The Convex Group (LidRock), as well as on-screen advertising."

And THIS, of course, is an lame shortcut for digital technology. Introducing more ads that people don't want to see before they actually get to see the higher quality films is not exactly taking full advantage of technology. It's being opportunistic and giving the capabilities of digital projection a bad name.

"Any company involved in production or post-production that does not have HD capabilities today is in serious danger of falling behind the times.

One of the buzzwords at this trade show was workflow and it relates to the fact that post-production processes are changing because of both customer demand and technological advancements. While it is not new for producers to demand higher and higher quality images what is new are some of the tools post houses can now use to meet those demands."

It's weird to think that this is a message that would have to be driven home with some people, as though Digital projection is something that will go away or come along naturally by itself. I get an image of car manufacturers being surprised by a decline in the availability of fossil fuels.

"Bigger news, however, came in September when the Digital Cinema Initiative announced its official recommendations for the overall system requirements and specifications for digital cinema with the release of Version 5.0 of the voluntary DCI Technical Specification.

According to DCI, Version 5.0 represented the conclusion of the process to define the system requirements and to outline the overall specifications for digital cinema.

Fithian said that the rollout of digital cinema technology would begin in 2005. Once it happens, he said, the technology will be adopted rather quickly. He predicted that within two-three years there would be as many, if not more than, 1,000 systems installed in the United States."

It's coming...


Friday, February 04, 2005

Sony slinging 'Spidey 2' in 4K resolution

Sony slinging 'Spidey 2' in 4K resolution:

This get's me all excited. I found the most interesting parts of the article to be these technical tidbits.

"The 'Spider-Man 2' d-cinema master is 9.6 terabytes, pulled from a working total of 40-50 TBs of footage created during the filmmaking process. The film will be projected uncompressed from a master server -- in this case, the Silicon Graphics Onyx advanced visualization and SGI InfiniteStorage RM660 storage systems.

'We don't have the time to compress to the (DCI-compliant) JPEG2000 specification,' Barton said. 'For our next tests we will be looking at hours and hours of pictures compressed and uncompressed. Our main focus is showing that we have a digital system in place that has the ability to show better than a 35mm answer print.'"

Popcorn is salt of the boxoffice

Popcorn is salt of the boxoffice

"unconscionably big"

is right. This is no surprise. But it's still awe-inspiring to see that an industry (and probably several if you count sports arenas and the like) could be built on a product that is essentially a lot of air marked up 90+%

I wasn't aware of the exact breakdowns of the overall revenue from concessions and ticket sales (approximately 30/70). Or the exact figures behind the profit margins

"When taking out film exhibition and advertising costs, admissions yielded a 47.7% profit margin for Regal for the period, while concessions hit an 85% margin when factoring in their cost. "

When you look at the fact that people are willing to pay it, and when it can possibly make the difference between your business succeeding or not, I can see how it's tempting to take the money where you can get it. But as I've always thought, a properly run business shouldn't be made or broken by peripheral services. And to that end, theaters should not bail themselves out by charging exorbitant fees for popcorn just because they can. Or maybe the big theaters should because their big picture is different. But I never will.

Free concessions! (Or at least Free Popcorn)

Movie marketing

Movie marketing

I found this article to actually be a really long explanation of why I think Marketing as an industry is so terribly backwards. To suggest that not only are there standard ways to sell the enitre spectrum of films but that appealing to the largest audience necessary is the most effective tactic is extremely irritating to me. And when it's institutionalized as an industry, the professionals that take on the resposibilities of marketers are the first to forget to separate the viability of a product with their desire to sell it. TO EVERYONE.

This may be an extremely abstract tirade, so I'll cut to the chase. Marketing is a necessary and naturally creative function. But it needs to come from the people who make the film and not people who have done it before. This, is a complicated issue, and of course it's not that black and white, but that's the basis of my argument.

As shown here by the marketers who were confounded by the difficulty of reaching everyone with a limited trailer. Maybe they should take the more natural stance that maybe this isn't a movie that everyone should be watching.

The product, ultimately, is everything. You may get people to watch something they wouldn't have otherwise gotten to watch with some TV commercial, but a lot of the time, you're lying to them and getting them to watch something they don't WANT to watch. Granted this isn't always the case, and the communication is important, but let's not forget that.

I did think the part about distributing "red band" trailers on line was interesting. And the new convergence of marketing materials coming from a single source thanks to technological affordances. That may be reason enough to bring all the creative marketing back to the film's creative team, since it's not really that damn hard.

Movie marketing

Movie marketing

I found this article to actually be a really long explanation of why I think Marketing as an industry is so terribly backwards. To suggest that not only are there standard ways to sell the enitre spectrum of films but that appealing to the largest audience necessary is the most effective tactic is extremely irritating to me. And when it's institutionalized as an industry, the professionals that take on the resposibilities of marketers are the first to forget to separate the viability of a product with their desire to sell it. TO EVERYONE.

This may be an extremely abstract tirade, so I'll cut to the chase. Marketing is a necessary and naturally creative function. But it needs to come from the people who make the film and not people who have done it before. This, is a complicated issue, and of course it's not that black and white, but that's the basis of my argument.

As shown here by the marketers who were confounded by the difficulty of reaching everyone with a limited trailer. Maybe they should take the more natural stance that maybe this isn't a movie that everyone should be watching.

The product, ultimately, is everything. You may get people to watch something they wouldn't have otherwise gotten to watch with some TV commercial, but a lot of the time, you're lying to them and getting them to watch something they don't WANT to watch. Granted this isn't always the case, and the communication is important, but let's not forget that.

I did think the part about distributing "red band" trailers on line was interesting. And the new convergence of marketing materials coming from a single source thanks to technological affordances. That may be reason enough to bring all the creative marketing back to the film's creative team, since it's not really that damn hard.

Movie marketing

Movie marketing

I found this article to actually be a really long explanation of why I think Marketing as an industry is so terribly backwards. To suggest that not only are there standard ways to sell the enitre spectrum of films but that appealing to the largest audience necessary is the most effective tactic is extremely irritating to me. And when it's institutionalized as an industry, the professionals that take on the resposibilities of marketers are the first to forget to separate the viability of a product with their desire to sell it. TO EVERYONE.

This may be an extremely abstract tirade, so I'll cut to the chase. Marketing is a necessary and naturally creative function. But it needs to come from the people who make the film and not people who have done it before. This, is a complicated issue, and of course it's not that black and white, but that's the basis of my argument.

As shown here by the marketers who were confounded by the difficulty of reaching everyone with a limited trailer. Maybe they should take the more natural stance that maybe this isn't a movie that everyone should be watching.

The product, ultimately, is everything. You may get people to watch something they wouldn't have otherwise gotten to watch with some TV commercial, but a lot of the time, you're lying to them and getting them to watch something they don't WANT to watch. Granted this isn't always the case, and the communication is important, but let's not forget that.

I did think the part about distributing "red band" trailers on line was interesting. And the new convergence of marketing materials coming from a single source thanks to technological affordances. That may be reason enough to bring all the creative marketing back to the film's creative team, since it's not really that damn hard.

Wednesday, February 02, 2005

Local Movie Theaters Website

I was mulling over the usefulness of the theater reviews on the HollyG and I's moviesandsweets.blogspot.com blog and figured that once our little project was complete, that it would be great for anyone interested in seeing a movie in the city. Aside from the personal notes I like to take about the atmosphere of each theater, there is some very real, very relevant information that other city dwellers could use when engaging in a movie going evening. Things like the decorations on the wall or periodicals they distribute might not be of interest to most people. BUT things like parking, or theater size, definitely are.

So it seems like a "google local" like page that can position all the theaters on a map and include the same sort of relevant information that google local provides should exist. I suppose in theory, we're working on having it here at google. We're not there yet, however.

So I wonder, since these interests intersect with my own project, if it would be a worthwhile undertaking to create this page. I don't really have the webdesign skill to do what I propose, but I certainly have the ability to collect all the information and the background to organize the information and present it via some database.

So if anyone ever reads this and has some interest in this project, I do as well. And I'd be happy to work with you.

In the meantime, for my own sake, I figure I may list the information that would be relevant for someone who wants to go to a movie in the city.

-Parking
-Ticket Prices
-Matinee Time
-Food available around the theater
-Showtimes
-Public Transportation to the theater
-Online ticketing links
-Group/Company that the theater belongs to
-number of theaters
-size and description of the accomodations
-technical evaluations of picture and sound quality
-location on a map
-ability to get theaters a certain radius from a given location
-up to date status of ticket soldoutness

Local Movie Theaters Website

I was mulling over the usefulness of the theater reviews on the HollyG and I's moviesandsweets.blogspot.com blog and figured that once our little project was complete, that it would be great for anyone interested in seeing a movie in the city. Aside from the personal notes I like to take about the atmosphere of each theater, there is some very real, very relevant information that other city dwellers could use when engaging in a movie going evening. Things like the decorations on the wall or periodicals they distribute might not be of interest to most people. BUT things like parking, or theater size, definitely are.

So it seems like a "google local" like page that can position all the theaters on a map and include the same sort of relevant information that google local provides should exist. I suppose in theory, we're working on having it here at google. We're not there yet, however.

So I wonder, since these interests intersect with my own project, if it would be a worthwhile undertaking to create this page. I don't really have the webdesign skill to do what I propose, but I certainly have the ability to collect all the information and the background to organize the information and present it via some database.

So if anyone ever reads this and has some interest in this project, I do as well. And I'd be happy to work with you.

In the meantime, for my own sake, I figure I may list the information that would be relevant for someone who wants to go to a movie in the city.

-Parking
-Ticket Prices
-Matinee Time
-Food available around the theater
-Showtimes
-Public Transportation to the theater
-Online ticketing links
-Group/Company that the theater belongs to
-number of theaters
-size and description of the accomodations
-technical evaluations of picture and sound quality
-location on a map
-ability to get theaters a certain radius from a given location
-up to date status of ticket soldoutness

Local Movie Theaters Website

I was mulling over the usefulness of the theater reviews on the HollyG and I's moviesandsweets.blogspot.com blog and figured that once our little project was complete, that it would be great for anyone interested in seeing a movie in the city. Aside from the personal notes I like to take about the atmosphere of each theater, there is some very real, very relevant information that other city dwellers could use when engaging in a movie going evening. Things like the decorations on the wall or periodicals they distribute might not be of interest to most people. BUT things like parking, or theater size, definitely are.

So it seems like a "google local" like page that can position all the theaters on a map and include the same sort of relevant information that google local provides should exist. I suppose in theory, we're working on having it here at google. We're not there yet, however.

So I wonder, since these interests intersect with my own project, if it would be a worthwhile undertaking to create this page. I don't really have the webdesign skill to do what I propose, but I certainly have the ability to collect all the information and the background to organize the information and present it via some database.

So if anyone ever reads this and has some interest in this project, I do as well. And I'd be happy to work with you.

In the meantime, for my own sake, I figure I may list the information that would be relevant for someone who wants to go to a movie in the city.

-Parking
-Ticket Prices
-Matinee Time
-Food available around the theater
-Showtimes
-Public Transportation to the theater
-Online ticketing links
-Group/Company that the theater belongs to
-number of theaters
-size and description of the accomodations
-technical evaluations of picture and sound quality
-location on a map
-ability to get theaters a certain radius from a given location
-up to date status of ticket soldoutness